{"id":5149,"date":"2020-09-01T13:20:56","date_gmt":"2020-09-01T13:20:56","guid":{"rendered":"http:\/\/www.art-3.org\/art-contemporain\/?p=5149"},"modified":"2020-09-08T12:30:46","modified_gmt":"2020-09-08T12:30:46","slug":"aleschija-seibt","status":"publish","type":"post","link":"http:\/\/www.art-3.org\/art-contemporain\/aleschija-seibt.php","title":{"rendered":"Aleschija Seibt"},"content":{"rendered":"

Aleschija Seibt est en r\u00e9sidence \u00e0 art3 de juillet \u00e0 septembre 2020.<\/h2>\n

 <\/p>\n

\"\"Choreography of 37 gaps, 2020, inked buttermilk on window glass, installation during the exhibition Aber alles blieb unver\u00e4ndert, Staatliche Akademie der bildenden K\u00fcnste M\u00fcnchen<\/p>\n

\"\"Eight walls (soft architecture), 2017, linen fabric, installation during the exhibition Overlap, <\/em>Kunsthaus L6, Freiburg<\/p>\n

 <\/p>\n

\"\"Stage, 2017, buttermilk inked with tempera, installation during the exhibition fern nah gleich anders, <\/em>periscope, Salzburg<\/p>\n

White forms defining the view through windows. Panels of fabric changing the perception of a room. Ropes that wander through an exhibition space. Aleschija Seibt’s work follows a rhythm and determines a rhythm. Processes and daily motion sequences are overarching themes. Further, the reception of an art work and its temporality is regarded. Architectural situations as well as shapes and sizes from urban spaces build the basis of her installations. Commonly, the artist considers the work as some sort of experiment consisting of modules that are used to question the processes in a given space.<\/p>\n

Des formes blanches d\u00e9finissant la vue \u00e0 travers les fen\u00eatres. Des panneaux de tissus qui modifient la perception d’une pi\u00e8ce. Des cordes qui parcourent un espace d’exposition. Le travail d’Aleschija Seibt suit un rythme et d\u00e9termine un rythme. Les processus et les encha\u00eenements de mouvements quotidiens sont des th\u00e8mes pr\u00e9dominants. En outre, la r\u00e9ception d’une \u0153uvre d’art et sa temporalit\u00e9 sont consid\u00e9r\u00e9es. Des contextes architecturaux ainsi que des formes et des dimensions issues d’espaces urbains constituent la base de ses installations. G\u00e9n\u00e9ralement, l’artiste consid\u00e8re l’\u0153uvre comme une sorte d’exp\u00e9rience compos\u00e9e de modules qui servent \u00e0 interroger les processus dans un espace donn\u00e9.<\/p>\n

*1983 Giengen a. d. Brenz<\/p>\n

2010 – 2011
\n\u00ab\u00a0Meistersch\u00fclerin\u00a0\u00bb with Prof. Toon Verhoef, Staatliche Akademie der Bildenden K\u00fcnste Karlsruhe
\n2005 – 2011
\nStudies of Fine Arts, Staatliche Akademie der Bildenden K\u00fcnste Karlsruhe<\/p>\n

Awards and residencies (selection)<\/em><\/p>\n

2020
\nart3, Valence, Scholarship of the Ministry of Science, Research and the Arts, Baden-W\u00fcrttemberg in collaboration with R\u00e9gion Auvergne-Rh\u00f4ne-Alpes and Institut fran\u00e7ais Stuttgart
\n<\/em>2019
\nin:vzbl, studio residence, Solidart, Timisoara
\n2016
\nAthens, studio residence, ZLR Betriebsimperium
\n2015
\na room that…, studio residence, Baumwollspinnerei, Leipzig
\n2014
\nCit\u00e8 Internationale des Arts, Paris, Scholarship of the Ministry of Science, Research and the Arts, Baden-W\u00fcrttemberg<\/p>\n

Solo Shows (selection)<\/em><\/p>\n

2019
\n<\/em>in search of VIZIBIL, with Oana Vainer, Solidart, Timisoara
\n<\/em>2017
\nOverlap, with Tobias Buckel, Kunsthaus L6, Freiburg
\n2016
\nit`s not antique, Trianon cinema, Athens
\nIN THE MEANTIME, Gro\u00dfer Fr\u00fchjahrsrundgang, Baumwollspinnerei Leipzig
\n2015
\n45 nights, 45 days, Bikini, Lyon
\nDouble Boucle, with Oana Vainer, Institut francais, Stuttgart
\nA crater is blasted into the surface of the moon. No specific shape., with Christian Falkner, SSBA \u2013 Salon, Amsterdam
\n2014
\nblank, Ride on Projects, Karlsruhe
\nHinkePinke, Le corridor, Cit\u00e9 Internationale des Arts, Paris
\n2013
\nBALLROOM, with Zora Kreuzer, artist-run space Im Hinterzimmer, Karlsruhe
\nCase Study, vitrine for exhibitions, Hannover<\/p>\n

Selected Group Shows<\/em><\/p>\n

2020
\nAber alles blieb unver\u00e4ndert, Staatliche Akademie der Bildenden K\u00fcnste M\u00fcnchen
\n2018
\nThresholds, Gonzo Unit, Thessaloniki
\nHELLO mold, Projektraum mold, Karlsruhe
\n2017
\n30 Jahre Retour de Paris, Art Karlsruhe
\nfern nah gleich anders, periscope, Salzburg
\n2016
\nTourne\u00e9, Erratum, Berlin\u00a0 –\u00a0 Saga, Stuttgart\u00a0 –\u00a0 Im Hinterzimmer, Karlsruhe\u00a0 –\u00a0 L’oeil-de-boeuf, Lyon\u00a0 –\u00a0 Ast\u00e9rides Ateliers D’artistes, Marseille
\nFLIRT, Projektraum Ameisenberg,\u00a0 Stuttgart
\na room that… what?, Winterrundgang, Baumwollspinnerei Leipzig
\n2015
\nHeimspiel, Neuer Kunstverein Aschaffenburg
\nH\u00f6henluft 10, Kunstverein Wilhelmsh\u00f6he, Ettlingen
\nConnexion en cours, Goethe \u2013 Institut, Paris<\/p>\n

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Aleschija Seibt est en r\u00e9sidence \u00e0 art3 de juillet \u00e0 septembre 2020.   Choreography of 37 gaps, 2020, inked buttermilk on window glass, installation during the exhibition Aber alles blieb unver\u00e4ndert, Staatliche Akademie der bildenden K\u00fcnste M\u00fcnchen Eight walls (soft … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,47],"tags":[],"class_list":["post-5149","post","type-post","status-publish","format-standard","hentry","category-archives-des-expositions","category-exposition-2020"],"_links":{"self":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/5149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/comments?post=5149"}],"version-history":[{"count":5,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/5149\/revisions"}],"predecessor-version":[{"id":5162,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/5149\/revisions\/5162"}],"wp:attachment":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/media?parent=5149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/categories?post=5149"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/tags?post=5149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}