{"id":4910,"date":"2019-07-25T12:47:21","date_gmt":"2019-07-25T12:47:21","guid":{"rendered":"http:\/\/www.art-3.org\/art-contemporain\/?p=4910"},"modified":"2020-03-03T16:36:02","modified_gmt":"2020-03-03T16:36:02","slug":"residence-croisee-art3-homesession","status":"publish","type":"post","link":"http:\/\/www.art-3.org\/art-contemporain\/residence-croisee-art3-homesession.php","title":{"rendered":"R\u00e9sidences Azahara Cerezo | Thierry Li\u00e9geois"},"content":{"rendered":"

R\u00e9sidence crois\u00e9e art3 | Homesession<\/strong><\/p>\n

Octobre | Novembre Azahara Cerezo<\/strong> est en r\u00e9sidence \u00e0 art3.
\nNovembre | D\u00e9cembre Thierry Li\u00e9geois<\/strong> s\u00e9journe \u00e0 Barcelone.<\/p>\n

Avec le soutien de la R\u00e9gion Auvergne-Rh\u00f4ne-Alpes et de l’Institut Ramon Llull.<\/p>\n

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Azahara Cerezo, Y en ese claroscuro surgen los monstruos<\/em>, 2019.<\/p>\n

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Azahara Cerezo<\/strong> (G\u00e9rone, 1988). Vit et travaille entre Paris et G\u00e9rone. Elle a \u00e9t\u00e9 r\u00e9sidente \u00e0 la Villa Belleville, Paris, au Coll\u00e8ge d\u2019Espagne, Paris, \u00e0 la Casa de Vel\u00e1zquez \u00e0 Madrid, (en \u00e9change avec Hangar, Barcelone), \u00e0 Hangar (Barcelone) et \u00e0 1646 (La Haye, Pays-Bas), entre autres. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 individuellement r\u00e9cemment au MAL (S\u00e9ville) sous le titre \u00ab\u00a0Et dans ce clair-obscur surgissent des monstres\u00a0\u00bb.<\/p>\n

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Elle a particip\u00e9 \u00e0 des expositions collectives telles que \u00ab\u00a0Un m\u00f3n paral\u00b7lel\u00a0\u00bb,\u00a0 Santa M\u00f2nica (Barcelone), \u00ab\u00a0Nous sommes comme des dieux …\u00a0\u00bb \u00e0 Nieuwe Vide (Haarlem, Pays-Bas), \u00ab\u00a0Province 53\u00a0\u00bb \u00e0 MUSAC (Le\u00f3n) et CDAN (Huesca), \u00ab\u00a0Intervalo\u00a0\u00bb \u00e0 la Casa Hoffmann (Bogot\u00e1, Colombie) ou \u00ab\u00a0Especies de Espacios\u00a0\u00bb \u00e0 MACBA (Barcelone).<\/p>\n

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\u00a0<\/span><\/pre>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\n\"\"<\/em><\/p>\n
Thierry Li\u00e9geois, Ultima mano, Vernissage \u00e0 Homesession, 15 d\u00e9cembre
\n2019. Photos Homesession.
\n<\/em><\/p>\n
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Thierry Liegeois est n\u00e9 en 1983 \u00e0 Montb\u00e9liard. Il travaillera d’abord comme programmeur et op\u00e9rateur sur machine-outils avant de reprendre des \u00e9tudes \u00e0 l’ENSBA Lyon o\u00f9 il obtiendra le DNSEP en 2010.
\nApr\u00e8s avoir expos\u00e9 dans les Modules du Palais de Tokyo en 2012 et particip\u00e9 au dispositif Galeries Nomades de l’IAC la m\u00eame ann\u00e9e.<\/div>\n
Liegeois expose son travail \u00e0 Brussels en 2013 invit\u00e9 par Or Nothing, \u00e0 Beijing au Lab 47 puis au Unicorn Center For Art en 2016, \u00e0 la fondation Renaud en focus de la Biennale de Lyon ainsi qu’\u00e0 Montb\u00e9liard au centre d’art le 19 en 2017.
\nIl participe \u00e0 diverses expositions collectives dont Machination(s) \u00e0 la galerie Eric Mouchet, Paris, Les Hommes de la Mancha \u00e0 la galerie Double V, Marseille, ou J\u00f6rmungandr Hybraxxx au Wonder\/Liebert, Bagnolet.<\/div>\n
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R\u00e9sidence crois\u00e9e art3 | Homesession Octobre | Novembre Azahara Cerezo est en r\u00e9sidence \u00e0 art3. Novembre | D\u00e9cembre Thierry Li\u00e9geois s\u00e9journe \u00e0 Barcelone. Avec le soutien de la R\u00e9gion Auvergne-Rh\u00f4ne-Alpes et de l’Institut Ramon Llull. Azahara Cerezo, Y en ese … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,45],"tags":[],"class_list":["post-4910","post","type-post","status-publish","format-standard","hentry","category-archives-des-expositions","category-exposition-2019"],"_links":{"self":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/4910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/comments?post=4910"}],"version-history":[{"count":19,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/4910\/revisions"}],"predecessor-version":[{"id":5088,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/posts\/4910\/revisions\/5088"}],"wp:attachment":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/media?parent=4910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/categories?post=4910"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/tags?post=4910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}