Charlotte Moth est n\u00e9e en 1978 \u00e0 Carshalton, Angleterre. Elle vit \u00e0 Paris\u2028.
\nElle est repr\u00e9sent\u00e9e par Marcelle Alix, Paris.<\/p>\n
Expositions personnelles<\/span> Expositions collectives<\/span> Publications<\/span> Collections publiques<\/span> R\u00e9sidences<\/span> Prix \/ bourses<\/span> Pr\u00e9sentations\/Lectures\/Discussions<\/span> Formation<\/span>
\n2020
\nenjambment, Marcelle Alix, Paris
\n2019
\nColecci\u00f3n XVI, Centro de Arte Dos de Mayo, Madrid
\n2017
\nMIT, List Visual Arts Center, Boston
\n2016
\nTravelogue, Kunstmuseum Liechtenstein, Vaduz
\nPens\u00e9e Kale\u00efdoscopique, Parc Saint-L\u00e9ger, Pougues-les-eaux
\nLightly in the world, Marcelle Alix, Paris
\n2015
\nChoreography of the image, Archive Room – Tate Britain, Londres
\nEsker Foundation, Calgary, CA, cur. Shauna Thompson, Peta Rake\u2028Fig 2, ICA studio, Londres
\n2014
\nThe Story of a different Thought, Temporary Gallery, Cologne
\nThe Story of a different Thought, De Vleeshal, Middelburg
\nThe Story of a different Thought, Skulpturenmuseum Glaskasten, Marl
\n2012
\nFrieze – Frame section, New York\u2028Ce qui est fragile est toujours nouveau, Centre d’art contemporain de Gen\u00e8ve, cur. Emilie Buj\u00e8s
\nVilla Surprise, Marcelle Alix, Paris
\n2011
\nFondation Serralves, Porto
\nDisplacements, Carlier Gebauer, Berlin
\nNoting Thoughts, Mus\u00e9e d\u00e9partemental d’art contemporain de Rochechouart
\nPied-\u00e0-Terre, San Francisco
\nLavomatique, Saint-Ouen
\n2010
\nThe Absent Forms, Halle f\u00fcr Kunst, L\u00fcneburg , cur. Hannes Loichinger
\nremade, Marcelle Alix, Paris
\nComma 18, Bloomberg SPACE, Londres, cur. Vanessa Desclaux
\nFIAC, Paris, FR, Secteur Lafayette
\n50 jours pour la photographie, part of the festival la revanche de l’archive photographique, Studio Sanda Recio, Gen\u00e8ve, Centre de la photographie
\n2009
\nProject Space for Kunstverein of Rheinlande and Westfalen, D\u00fcsseldorf
\nIt’s not for reading. It’s for making, FormContent, Londres, Intervention for Chapter 2, a reflection on collecting and archiving
\n2008
\nPotential Narratives, Irish Museum of Modern Art, Dublin, process room
\ntwo of a kind, Hermes und der Pfau, Stuttgart,\u00a0 Dorten Haus
\n2007
\nSpecies of Spaces, Hedah, Maastricht
\n2006
\nInstallation for Dolores, Dolores project space, Ellen de Bruijne Projects, Amsterdam<\/p>\n
\n2020
\nSculptures infinies, Mus\u00e9e Calouste Gulbenkian, Lisbonne
\nLa vie des tables, Le Cr\u00e9dac, Centre d’art contemporain d’Ivry
\n2019
\nSculptures infinies : des collections de moulages \u00e0 l’\u00e8re digitale, Beaux Arts de Paris, Paris
\nMarcelle Alix ouverte, Galerie Marcelle Alix, Paris
\nmains amies, Cahn Contemporary, Paris
\nVoyage to the beginning and back, Serralves Foundation, Porto
\nGIGANTISME – ART ET INDUSTRIE, FRAC Grand Large Hauts-de-France, Dunkerque
\n2018
\nNuit Blanche, Petit Palais, Paris
\nThe Reservoir of Modernism, Liechtenstein, Vaduz
\nNaturel pas Naturel, Palais Fesch – mus\u00e9e des beaux-arts, Ajaccio
\nD\u00e9cors\/ Des corps, Th\u00e9\u00e2tre le Forum, Fr\u00e9jus\u2028Printemps de l\u2019art contemporain, Frac PACA, Marseille
\n2017
\nPrix Marcel Duchamp 2017, les nomm\u00e9s, Centre Pompidou, Paris, cur. Alicia Knock
\nIndependent Regence, Displacements (Prologue), cur. Bureau des r\u00e9alit\u00e9s
\n2016
\nHopstreet Gallery, Bruxelles, Klemm’s, Berlin
\nMars\u00e8lleria, Milan, Zodiaco, cur. Davide Bertocchi
\n2015
\nFunction Follows Vision, Vision Follows Reality, Kunsthalle Wien, Vienne, cur. Luca Lo Pinto and Vanessa Joan M\u00fcller
\nRideaux \/ blinds, Institut d’Art Contemporain, Villeurbanne , cur. Marie de Brugerolles
\nRushes, Marcelle Alix, Paris, avec Ian Kiaer\u2028Babel, Tl\u00f6n invites Video Palace, Nevers
\nCentre d’Art Contemporain La Traverse, Alfortville, Carte Blanche \u00e0 Eva Nielsen & Jo\u00ebl Riff
\nGalerie du jour, Paris, ROC, cur. Hugues Reip
\nCIAC Foundation, Mexico City
\n2014
\nLandscape: The virtual, the actual, the possible, Yerba Buena Center for the Arts, San Francisco
\nThe Promise, Arnolfini, Bristol
\nZodiaco, CAR drde, Bologna, cur. Davide Bertocchi
\nBeginning Again, FRAC Ile-de-France – Le Plateau, Paris, , cur. Philippe Decrauzat and Mathieu Copeland
\nDouble Jeu, FRAC Centre, Orl\u00e9ans
\nLandscape: The virtual, the actual, the possible, Guangdong Times Museum, Guangzhou\u2028\u00e0 l’envers, \u00e0 l’endroit…\u00e0 l’envers, \u00e0 l’endroit…Centre Photographique d’Ile-de-France, Paris, cur. Nicolas Giraud
\nLes sons du silence\/The sounds of silence, Centre d’Art Contemporain La Halle des Bouchers, Vienne
\nModest Muses, cur. Kasia Redzisz\u2028A Guest Without a Host is a Ghost, Beirout (en collaboration avec Kadist Art Foundation), Caire
\n2013
\nL’image dans le tapis, Atelier des Arques, cur. Olivier Michelon
\nOn the Move. European Kunsthalle at the KUB Arena, Kunsthaus Bregenz\u2028Triennial of Small Scale Sculpture, Fellbach
\nThe geometry of things, Gesellschaft F\u00fcr aktuelle Kunst, Br\u00e8me
\n2012
\nA.VE.NU.DE.JET.TE-Institut du Carton, Bruxelles, cur. Aglaia Konrad
\nLe confort moderne, Le confort moderne, Poitiers, cur. Mathieu Copeland
\nDallas Biennial, cur. Florence Ostende
\nLe vicomte pourfendu, Marcelle Alix, Paris
\nthis & there, Fondation d’entreprise Ricard, Paris, cur. Claude Closky
\nCole gallery, Londres, Dagmar Heppner Hannah James Charlotte\u00a0 Moth
\nFa\u00e7ades, Netwerk\/ centre for contempory art, Aalst, cur. Paul Lagring
\n2011
\nAbstraction & Storytelling, Marz Galeria, Lisbonne, cur. Joana Neves
\nThe Mews, Londres, cur. Filipa Oliveira & Aldo Rinaldi
\nDans le palais de cristal, Ca’asi, Venice, cur. Pascal Beausse & Pascale Cassagnau
\nHypotheses and Drifting, with or without photographies 1850 – 2010, Galerie Mich\u00e8le Chomette, Paris
\nMessen de Clercq, Bruxelles, cur. Latitudes – Max Andrews and Mariana Canepa Luna
\nd\u00e9jouer l’espace, Transpalette, Bourges, cur. J\u00e9r\u00f4me Cotinet-Alphaize\/ Damien Sausset
\n2010
\nYucatan is Elsewhere, Academiegalerie, Utrecht (avec Achim Lengerer, Karolin Meunier, Robert Smithson) cur. Falke Pisano
\nStrange Comfort (Afforded by the Profession), Kunsthalle Basel, (avec Maria Thereza Alves, Ross Birrel & David Harding, Latifa Echakhch, Dunja Herzog, Cecile Hummel, Franco Vaccari, Danh Vo, Nick Mauss, Lorraine O’Grady, Paul Hendrikse) cur. Adam Szymczyk & Salvatore Lacagnina
\nUne exposition (du) sensible, Synagogue de Delme, cur. Mathieu Copeland
\nLes Interlocuteurs, Ecole des Beaux-Arts de Toulouse, cur. Mathilde Villeneuve
\nAfter Architects, Kunsthalle Basel, (avec John Smith, James Welling, Latifa Echkhakch, David Jablonowski, Haegue Yang)\u2028Associations, Arcade Fine Art, Londres, (avec John Smith, Jeremiah Day)
\n2009
\nWe would like (once more) to thank the curators who have wished to remain anonymous\u2028, Galerie Anne Barrault, Paris
\nR\u00e9pertoire pour une forme, La Vitrine ENSAPC, Paris, cur. Mathilde Villeneuve
\n2008
\nThreealities, Unosunove, Rome\u2028Lo Sfumato, Associazione Marco Magnani, Sardaigne
\nRoyal Academy, Londres, Los Vinilos, Zoo Art Fair
\nTravelogue, One in the Other, Londres \u2028Walls in Three Places, White Nave, Dover
\nTranspalette, Bourges, exhibition of Le Pavillon
\nObject, the Deniable Success of\u00a0Operations, SMBA, Amsterdam
\nGalerie Lucile Corty, Paris, Carte Blanche \u00e0 Charlotte Moth
\nPalais de Tokyo, Paris, Pavillon 7
\nThe Unfair Fair, Rome
\n2007
\nThe Film as a page of Victor Hugo rewritten in the style of Nerval, Jet, Berlin
\nThe First Antechamber, Project, Dublin
\nThe Backroom, Kadist Art Foundation, Paris
\n2006
\nResonances, Artis, Den Bosch \u2028Beauty and the Beast, Fieldgate Gallery, Londres
\n2005
\nFor and From. An exhibition of drawings by 50 artists, The Metropole Galleries, Kent
\nSculpture at Canterbury. A\u00a0gathering of new forms here, Herbert Read Gallery, Kent
\nLes Merveilles du\u00a0Monde, Mus\u00e9e des Beaux Arts, Dunkerque
\nSphere, New works, MuseumMAN, Liverpool
\n2004
\nWhitstable Biennale, Kent
\n2003
\nChanging Channels, London Biennale, Londres
\nChanging Channels, Pollionations, Berlin
\nThe Greatest Show on Earth, The Metropole Galleries, Kent<\/p>\n
\n2016
\nTravelogue, monograph , ed. Kunstmuseum Liechtenstein, avec des textes de Ian Hunt, Christiane Meyer-Stoll, Kasia Redzisz, Eva Birkenstock, Fabrice Hergott, Penelope Curtis \u20282013
\nA journey through shared spaces – livre d’artiste, Le Pavillon, ed. Palais de Tokyo, Paris\/ Cercle d’Art
\n2011
\nCharlotte Moth, ed. Halle f\u00fcr Kunst, L\u00fcneburg\/ Sternberg Press, avec des textes de Guy Brett, Matthieu Copeland and Olivier Michelon
\nCharlotte Moth, ed. Serralves publications, avec des textes de Ricardo Nicolau et Quinn Latimer
\n2010
\nThe Black Room- \u00e9dition de 50 avec une interview d’Allia Ali
\n2009
\nThe Mock and other superstition, Anecdotes as new theory, quarterly journal of written words, Issue 2, Winter
\n2008
\nB\u00e9ton Brut, ed. Kunstverein fur Rheinlande und Westfalen\u2028Sang Bleu, ed. Le Pavillon-Laboratoire de Cr\u00e9ation du Palais de Tokyo, Paris, avec Emmanuelle Antille<\/p>\n
\nSerralves Foundation, Porto
\nMus\u00e9e d\u00e9partemental d’art contemporain de Rochechouart
\nFMAC, Paris
\nFNAC, Paris
\nMAC\/VAL, Vitry
\nFRAC PACA, Marseille
\nFRAC Centre, Orl\u00e9ans
\nFRAC Bretagne, Chateaugiron
\nFRAC Pays de la Loire, Carquefou
\nFRAC Corse, Corte
\nSkulturen Museum Glaskasten, Marl
\nKunstmuseum, Liechstenstein<\/p>\n
\n2013
\nLes Ateliers des Arques
\n2012
\nFieldwork Marfa, Texas
\nInternational research program run by ESBA Nantes, HEAD-Geneva and Gerrit Rietveld Academie Amsterdam
\nAkademie Schloss Solitude, Stuttgart
\n2011
\nFoundation Serralves, Porto
\n2009
\nKunstlerstatte Schloss Bleckede
\n2007-2008
\nIrish Museum of Modern Art, Dublin
\nLe Pavillon, Palais de Tokyo, Paris
\nCit\u00e9 Internationale des Arts, Paris, Cultures France<\/p>\n
\n2010
\nBourse individuelle \u00e0 la cr\u00e9ation, DRAC Ile de France
\nBourse individuelle \u00e0 la cr\u00e9ation, Ville de Paris
\n2008
\nBourse de d\u00e9placement, British Council
\n2007
\nBourse pour les arts, Art Council England
\n2000
\nConseil de la recherche des arts et des sciences humaines, bourse d’\u00e9tudes sup\u00e9rieures<\/p>\n
\n2014
\nProspectif Cinema, Centre Pompidou, Paris
\nThe Colour of Capital, Stedelijk Museum Bureau Amsterdam film program
\n2013
\nprojection art & architecture, Biennale de Lyon, programme : imagespassages
\nA conversation with Florence Ostende, HEAD, Gen\u00e8ve
\nBack and Forth film screening, South London Gallery
\n2012
\nLux Biennial of Moving Images in Tramway, Glasgow
\nArty Night film screening, Centre d’art contemporain, Gen\u00e8ve \u2028Camera Brittannica, Centre Pompidou, Paris, program : Marie Canet
\nThe Crowd Behind Us – Image Festival – Ala Younis, Amman, Temporary Gallery K\u00f6ln, program : Regina Barunke
\n2010
\nSouth London Gallery, Catalogue artists film screening
\nBloomberg SPACE, Londres, Bloomberg Bites, Comma 17 and 18, avec Bernd Behr, Vanessa Desclaux et Sacha Craddock
\n2008
\nNow as the divine hour, Graduate School of Creative Arts and Media, Dublin
\nPresentation\u2028Hospitalities, 2008Palais de Tokyo, Paris
\nFoundation Ricard, Paris, round table discussion: r\u00e9sidences d’artistes: avant, pendant, apr\u00e8s
\nMy friends of relative abstraction, B\u00e9tonsalon, Paris, invitation de Falke Pisano avec Will Holder et Frank Koolen\u20282007\u2028Project, Dublin, round table discussion, avec Gabriel Lester, Alexandra Singh, pr\u00e9sid\u00e9 par Maria Fusco<\/p>\n
\n2013- en cours\u2028Doctorat (projets), Royal College of Art, Londres\u20282005-6\u2028Artiste-chercheuse en art , Jan van Eyck Academie Maastricht\u20282002\u2028Dipl\u00f4me d’\u00e9tudes sup\u00e9rieures, Slade School of Art, University College Londres\u20282000\u2028B.A. Hons Fine Arts, Kent Institute of Art and Design at Canterbury<\/p>\n