{"id":5225,"date":"2020-12-15T14:07:43","date_gmt":"2020-12-15T14:07:43","guid":{"rendered":"http:\/\/www.art-3.org\/art-contemporain\/?page_id=5225"},"modified":"2020-12-15T14:29:54","modified_gmt":"2020-12-15T14:29:54","slug":"biographie-francisco-sitja","status":"publish","type":"page","link":"http:\/\/www.art-3.org\/art-contemporain\/biographie-francisco-sitja","title":{"rendered":"biographie Francisco Sitja"},"content":{"rendered":"<p>Francisco Navarrete Sitja (1986, Chili), est titulaire d&rsquo;une licence et d&rsquo;une ma\u00eetrise en arts visuels de l&rsquo;Universit\u00e9 du Chili. Il a \u00e9tudi\u00e9 au \u00ab\u00a0Programme d&rsquo;\u00e9tudes ind\u00e9pendantes PEI\u00a0\u00bb au Museu d&rsquo;Art Contemporani de Barcelona MACBA (2017-19). Actuellement, il est en r\u00e9sidence au CEDOC du Museu d&rsquo;Art Contemporani de Barcelona MACBA (2019-20), il fait partie de l&rsquo;\u00e9quipe internationale r\u00e9seau TSOEG \u00ab\u00a0Temporal School of Experimental Geography\u00a0\u00bb (UK), et il travaille en tant que co-directeur de \u00ab\u00a0L&rsquo;Aquila Reale : Centro d&rsquo;Arte e Natura di Civitella di Licenza\u00a0\u00bb (IT). Il vit et travaille \u00e0 Barcelone depuis 2014.<br \/>\nIl a particip\u00e9 \u00e0 des r\u00e9sidences \u00e0 La Becque, Suisse ; CAIRN Centre d&rsquo;Art &#8211; UNESCO GeoPark de Haute-Provence, France ; Kunsthaus Bregenz, Autriche ; Centre d&rsquo;Art i Natura de Farrera, Catalogne, Espagne ; NCOGNITUM : Circunnavegaciones Contempor\u00e1neas, Punta Arenas, Chili ; Hangar.org, Barcelone, Espagne ; Fundaci\u00f3n Bot\u00edn, Santander, Espagne ; Espai E, Centro Fabra i Coats (Barcelona, ES) ; V2_Lab pour Unstable Media, Rotterdam, Pays-Bas ; O Espa\u00e7o do Tempo, Lisbonne, Portugal ; Casapoli Coliumo, Chili ; Centro Huarte, Navarra, Espagne ; Residencia Tierra (en)cubierta, Colb\u00fan, Chili ; L&rsquo;Asilo Filangieri, Naples, Italie ; Festival TSONAMI, Valpara\u00edso, Chili ; Proyecto Norte, Iquique, Chili ; Fundaci\u00f3n BilbaoArte, Bilbao, Espagne ; Festival FIFV de Valpara\u00edso, Valpara\u00edso, Chili, entre autres.<br \/>\nIl participera \u00e0 des programmes de recherche et de production artistiques tels que le Programme de r\u00e9sidence d&rsquo;artisteau Palazzo Baronale Orsini di Licenza, Italie ; Art Like Salt &#8211; Taepyung Salt Farm Art Residency, Cor\u00e9e, Taipei Artist Village TAV, Ta\u00efwain, INCOGNITUM : Circunnavegaciones Contempor\u00e1neas, Portugal.<br \/>\nParmi ses r\u00e9centes participations : \u00ab\u00a0Jardines Humanos\u00a0\u00bb \u00e0 la Biblioteca Patrimonial Recoleta Dominica dans le cadre de la \u00ab\u00a014\u00ba Bienal de Artes Mediales\u00a0\u00bb, Santiago, Chili ; \u00ab\u00a0Witnessing possibilities\u00a0\u00bb, \u00ab\u00a0Loop Festival Barcelona &#8211; Screen City Program\u00a0\u00bb, Barcelone, Espagne ; \u00ab\u00a0Aparatos para un territorio blando\u00a0\u00bb, Galer\u00eda de Artes Visuales Centro Cultural de Espa\u00f1a CCE-Chile, Santiago, Chili, \u00ab\u00a0Notes sur les paysages\u00a0\u00bb, au bord du lac Kunstraum Klagenfurt, Autriche ; \u00ab\u00a0Un dia em vaig creuar amb un meteorit \u00ab\u00a0, Centre d&rsquo;Art Contemporani de Barcelona Fabra i Coats, \u00ab\u00a0Loop Festival Barcelona\u00a0\u00bb, Barcelone, Espagne ; \u00ab\u00a0Festival Internacional de Cine Austral FICA\u00a0\u00bb, Centro Cultural de Cordoba, Cordoba, Argentine ; \u00ab\u00a0Osmosi\u00a0\u00bb &#8211; CityART, SAC International &#8211; Programme de r\u00e9sidence pour conservateurs (Milan, Italie) ; \u00ab\u00a0Deep Trash : Eco Trash\u00a0\u00bb, \u00ab\u00a0EcoFutures, Londres, Royaume-Uni ; \u00ab\u00a0NOFLASH Video Show Film Festival\u00a0\u00bb, Zimmerli Art Museum &#8211; L&rsquo;Universit\u00e9 Rutgers, Nouveau-Brunswick, \u00c9tats-Unis.<\/p>\n<div class=\"pdf24Plugin-cp\"> \t<form name=\"pdf24Form0\" method=\"post\" target=\"pdf24PopWin\" action=\"https:\/\/doc2pdf.pdf24.org\/wordpress.php\"><input type=\"hidden\" name=\"blogCharset\" value=\"Cw1x07UAAA==\" \/><input type=\"hidden\" name=\"blogPosts\" value=\"MwQA\" \/><input type=\"hidden\" name=\"blogUrl\" value=\"yygpKbDS1y8vL9dLLCrRNdbLL0rXB7GS8\/NKUnML8osSM\/MA\" \/><input type=\"hidden\" name=\"blogName\" value=\"SywqMQYA\" \/><input type=\"hidden\" name=\"blogValueEncoding\" value=\"gzdeflate base64\" \/><input type=\"hidden\" name=\"postId_0\" value=\"MzUyMgUA\" \/><input type=\"hidden\" name=\"postTitle_0\" value=\"S8rMTy9KLMjITFVwK0rMS84sTs5XCM4syUoEAA==\" \/><input type=\"hidden\" name=\"postLink_0\" value=\"FcYxDsAgCADAFyFDN39DiVWaFAiS8H3Tm25lekesqkaRcDWLif\/YNMfnFiSKt9gM8iUDniBl2WywJV86\" \/><input type=\"hidden\" name=\"postAuthor_0\" value=\"SywqMQYA\" \/><input type=\"hidden\" name=\"postDateTime_0\" value=\"MzIwMtA1NNI1NFUwNLEyNLIyMQYA\" \/><input type=\"hidden\" name=\"postContent_0\" value=\"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\" \/><\/form> \t<div class=\"pdf24Plugin-cp-link\"> \t\t<a href=\"#\" onclick=\"var pdf24Win = window.open('about:blank', 'pdf24PopWin', 'resizable=yes,scrollbars=yes,width=600,height=250,left='+(screen.width\/2-300)+',top='+(screen.height\/3-125)+''); pdf24Win.focus(); document.pdf24Form0.submit(); if(typeof pdf24OnCreatePDF === 'function'){void(pdf24OnCreatePDF(this,pdf24Win));} return false;\">TELECHARGER L\\'ARTICLE AU FORMAT PDF<\/a> \t<\/div> <\/div>","protected":false},"excerpt":{"rendered":"<p>Francisco Navarrete Sitja (1986, Chili), est titulaire d&rsquo;une licence et d&rsquo;une ma\u00eetrise en arts visuels de l&rsquo;Universit\u00e9 du Chili. Il a \u00e9tudi\u00e9 au \u00ab\u00a0Programme d&rsquo;\u00e9tudes ind\u00e9pendantes PEI\u00a0\u00bb au Museu d&rsquo;Art Contemporani de Barcelona MACBA (2017-19). Actuellement, il est en r\u00e9sidence &hellip; <a href=\"http:\/\/www.art-3.org\/art-contemporain\/biographie-francisco-sitja\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5225","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/5225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/comments?post=5225"}],"version-history":[{"count":1,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/5225\/revisions"}],"predecessor-version":[{"id":5226,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/5225\/revisions\/5226"}],"wp:attachment":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/media?parent=5225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}