{"id":1476,"date":"2012-01-18T13:47:11","date_gmt":"2012-01-18T13:47:11","guid":{"rendered":"http:\/\/www.art-3.org\/art-contemporain\/?page_id=1476"},"modified":"2012-06-21T14:53:51","modified_gmt":"2012-06-21T14:53:51","slug":"olivier-menanteau","status":"publish","type":"page","link":"http:\/\/www.art-3.org\/art-contemporain\/olivier-menanteau","title":{"rendered":"Olivier Menanteau"},"content":{"rendered":"<p style=\"text-align: justify;\">Tony  Lain\u00e9 (1930 \u2013 1992) a \u00e9t\u00e9, \u00e0 partir de 1971, chef du service de  psychiatrie infantile de l\u2019H\u00f4pital Barth\u00e9l\u00e9my Durand \u00e0 Estampes, mais ce  sont surtout ses r\u00e9alisations de films diffus\u00e9s \u00e0 la t\u00e9l\u00e9vision (et les  livres qu\u2019il en tira) avec le cin\u00e9aste Daniel Karlin, qui le firent  conna\u00eetre au grand public. Tony Lain\u00e9 et Daniel Karlin ont publi\u00e9 \u00ab la  Raison du plus fou \u00bb en 1970, \u00ab La Mal Vie \u00bb en 1978, \u00ab L\u2019Amour en  France \u00bb en 1986.<br \/>\nC\u2019est en pensant aux d\u00e9bats que ces films ont suscit\u00e9, que durant un an  j\u2019ai r\u00e9alis\u00e9 des entrevues avec des patients et des membres du personnel  de ce m\u00eame h\u00f4pital.Le postulat de leur diffusion publique \u00e9tant pos\u00e9  d\u00e8s le d\u00e9part, ces mots ont permis un court instant de se penser hors de  l\u2019h\u00f4pital et de sa contrainte. Ces entretiens, retranscris, lus et  jou\u00e9s, posent la question de la solitude face \u00e0 la d\u00e9pression et du  recours syst\u00e9matique aux m\u00e9dicaments. Ils ne renoncent pas \u00e0 parler des  grands sujets qui hantent les habitants de ces pavillons isol\u00e9s dans la  campagne essonienne.<br \/>\nL\u2019Amour, Dieu, la Vie apr\u00e8s la Mort, le Devenir sur Terre, le Travail.  Chacun cherchant dans les mots du monde un sens \u00e0 sa propre histoire.<\/p>\n<address>Olivier Menanteau vit et travaille \u00e0 Berlin.<br \/>\n<a href=\"http:\/\/www.florenttosin.com\/artists\/oliviermenanteau\/index.php\">http:\/\/www.florenttosin.com\/artists\/oliviermenanteau\/index.php<\/a><\/address>\n<address>Expositions personnelles (s\u00e9lection)<br \/>\n2011 M\u00e9moire, la fin d\u2019une utopie, art3 Valence, France,<br \/>\nKlaipeda Cultural Communication Centre de Klaip\u00e9da, Lituanie<br \/>\nGalerie Florent Tosin, Berlin<br \/>\n2010<br \/>\nM\u00e9moire, film vid\u00e9o, Centre d\u2019Art Contemporain de Chamarande, Essonne.<br \/>\n2009<br \/>\nMUSEION, Museum of Modern and Contempory Art, Bolzano\/Bolzen, Italie.<br \/>\n2008<br \/>\nCentre Photographique de Gen\u00e8ve, Ecole d\u2019Art de Perpignan, Perpignan.<br \/>\nProjection et pr\u00e9sentation de la Vid\u00e9o, The Metamorphosis, au cin\u00e9ma Rive Gauche, Perpignan.<br \/>\n2007<br \/>\nMedia Alert &amp; Charm-project, commissaire : Shara Wasserman. Temple University, Rome.<br \/>\nSpaziaperti, Acad\u00e9mie de Roumanie \u00e0 Rome, Rome.<br \/>\n2006<br \/>\nThe blood spilled out of the wound will never return, installation multim\u00e9dia, ISCP, International Studio<br \/>\n&amp; Curatorial Program, Open studio, New York.<br \/>\n2005<br \/>\nPinacoteca do Estado, S\u00e3o Paulo, Br\u00e9sil.<br \/>\nMAMAM, Museu de Arte Moderna Aloisio Magalhaes, Recife, Br\u00e9sil<br \/>\nDas Feld gegen\u00fcber, installation multim\u00e9dia Wissenschaftskolleg zu Berlin, Berlin.<br \/>\n2003<br \/>\nOlivier Menanteau, Ateliers d\u2019artistes de la Ville de Marseille.<br \/>\nLa Chance, Ecole R\u00e9gionale des Beaux-Arts, Valence, France.<br \/>\nL\u2019arriv\u00e9! , Akademie Schlo\u00df Solitude, Stuttgart<br \/>\n2001<br \/>\nUnunterbrochen II, instalation multim\u00e9dia<br \/>\nGastatelier der Landeshauptstadt D\u00fcsseldorf, Allemagne.<br \/>\nGesamtschule Ratingen-West, installation multim\u00e9dia, Kunstverein, Ratingen, Allemagne.<br \/>\n1997<br \/>\nIlots, Mus\u00e9e de Cognac (commande publique: DRAC, Minist\u00e8re de l\u2019Am\u00e9nagement du Territoitre<br \/>\nD\u00e9l\u00e8gation Interminist\u00e9rielle \u00e0 la Ville)<\/address>\n<address>Expositions collectives (s\u00e9lection)<br \/>\n2010<br \/>\nTerritories of the In\/Human, W\u00fcrttembergischen Kunstverein, Stuttgart<br \/>\nM\u00e9dia-aller  (vid\u00e9o 13mn), W\u00fcrttembergischer Kunstverein Stuttgart, film programm .<br \/>\nSalon de Montrouge<br \/>\nRes Publica, MMOMA Mus\u00e9e of Modern Art of Moscou, Moscou<br \/>\n2009<br \/>\nNew Entries ! New acquisitions<br \/>\nLooking at Others, commissaire : Radmila Iva Jankovic, Art Pavillon, Zagreb.<br \/>\n2008    Agora-Arago, avec Goran Galic, Gian Reto Gredig, Bruno Serralongue,<br \/>\n2005<br \/>\nFin de Romance ( avec Christine Meisner), Mus\u00e9e des Beaux Arts, Nantes,<br \/>\n2004<br \/>\nThomie Ohtake Fondation, S\u00e3o Paulo, Br\u00e9sil<br \/>\n2003<br \/>\nVortlaufen, installation multim\u00e9dia, avec le compositeur Tiziano Manca, Akademie Schlo\u00df Solitude, Stuttgart.<br \/>\nUnunterbrochen III, Flughaven D\u00fcsseldorf, Institut Fran\u00e7ais de D\u00fcsseldorf.<br \/>\n2002<br \/>\nWorking together, Galerie Art &amp; Essai, Rennes.<br \/>\n2000<br \/>\nArte-Marsiglia, exposition collective, Centre Culturel de Turin, Artissima, Italie.<br \/>\nUnunterbrochen, Ateliers H\u00f6herweg ev, D\u00fcsseldorf.<br \/>\n1999<br \/>\nContextes diff\u00e9rents, Le Magasin hors les murs, Le Magasin, Grenoble.<br \/>\nMore and Less, co prod Les Ateliers Nadar-Brewery Projekt, in \u201cC\u00f4te Ouest\u201d A.F.A.A. , Los Angeles.<br \/>\n1998<br \/>\nAux armes&#8230; etcaetera, K\u00fcnstlerwerkstatt, Lothhringer Strasse, Munich.<br \/>\nBisogna essere leggeri come gli uccelli e non come le piume, Ateliers  d\u2019Artistes, Marseille (co prod Fondation Bevilacqua la Masa de Venise)<br \/>\n1997<br \/>\nArt Dealers 2, Friche de la Belle de Mai, Marseille.<\/address>\n<address>Bourses et R\u00e9sidences.<br \/>\n2008<br \/>\nBourse de recherche \u00e0 l\u2019\u00e9tranger du Centre National des Arts Plastiques pour la Thailande, Charm project.<br \/>\n2006<br \/>\nBourse CulturesFrance \u00e0 ISCP, International Studio &amp; Curatorial Programm, New York.<br \/>\n2004-05<br \/>\nR\u00e9sidence at the Wissenschaftskolleg zu Berlin, Berlin.<br \/>\n2003-04    Bourse de R\u00e9sidence AFAA-Ville de Paris \u00e0 l\u2019Edificio Copan, S\u00e3o Paulo.<br \/>\n2002-03<br \/>\nR\u00e9sidence \u00e0 l\u2019Academie Schlo\u00df Solitude, Stuttgart.<br \/>\n1999-02<br \/>\nR\u00e9sident dans les Ateliers de la ville de D\u00fcsseldorf.<br \/>\n2000-01<br \/>\nAtelier \u00e0 la Cit\u00e9 des Arts \u00e0 Paris.<br \/>\n1998-01<br \/>\nPr\u00e8s des Acacias avec Philippe Forrest, H\u00f4pital Psychiatrique  Barth\u00e9l\u00e9my-Durand d\u2019Etampes, Essonne, Programme \u00ab Nouveaux  Commanditaires \u00bb de la Fondation de France- Association 3CA. (Edition  actes sud)<br \/>\n1999-00      R\u00e9sident et boursier au Studio H\u00f6herweg ev, D\u00fcsseldorf.<br \/>\n1996-98<br \/>\nColl\u00e8ge Vercors: Le Magasin-CNAC Grenoble. Programme \u00ab Nouveaux Commanditaires \u00bb de la Fondation de France<br \/>\n1996<br \/>\nR\u00e9sident et boursier aux Ateliers Duende, Kunststichting de Rotterdam.<\/address>\n<h4>Cours et conf\u00e9rences<\/h4>\n<h4>2008-09    Cours I\u00e8re ann\u00e9e invitation Ambroise Ti\u00e8che, Haute Ecole d\u2019Art et de Design (HEAD) de Gen\u00e8ve.<br \/>\nWorkshops, Ecole d\u2019Art de Perpignan.<br \/>\n2008    Conf\u00e9rence-s\u00e9minaire \u00e0 la Haute Ecole d\u2019Art et de Design (HEAD) de Gen\u00e8ve, invitation Bruno Serralongue.<br \/>\nConf\u00e9rence \u00e0 l\u2019INHA, Paris, s\u00e9minaire de Michel Poivert.<br \/>\n2006    Conf\u00e9rence \u00e0 l\u2019Ecole Sup\u00e9rieure des Beaux Arts et \u00e0 l\u2019Ecole des Mines de Nancy.<br \/>\nConf\u00e9rence au Wissenschafstkolleg de Berlin.<br \/>\nConf\u00e9rence \u00e0 la Maison des Sciences de l\u2019Homme Ange Gu\u00e9pin, Nantes.<br \/>\n1998-00      Enseigne l\u2019Histoire de la Photographie au d\u00e9partement des Arts Plastiques de l\u2019Universit\u00e9<br \/>\n(DEUG), d\u2019Aix en Provence.<br \/>\n1997    Conf\u00e9rence et Wokshop \u00e0 l\u2019Institut Fran\u00e7ais de Casablanca.<br \/>\n1996-98    Intervient \u00e0 l\u2019\u00e9cole des Beaux Arts d\u2019Annecy invit\u00e9 par Marc Gilloux.<br \/>\n1990-95    Ateliers de pratiques artistiques au Lyc\u00e9e Isma\u00ebl Dauphin de Cavaillon et au<br \/>\nColl\u00e8ge Edouard Manet de Marseille.<\/h4>\n<h4>Collections publiques.<\/h4>\n<h4>2008    MUSEION, Museum of Modern and Contempory Art, Bolzano\/Bolzen, Italie.<br \/>\n2006          Fonds National d\u2019Art Contemporain, Paris.<br \/>\n2005             Mus\u00e9e des Beaux Arts de Nantes.<br \/>\nWissenschaftskolleg de Berlin.<br \/>\n1997          Mus\u00e9e de Cognac.<br \/>\n1996    Fonds communal de la Ville de Marseille.<br \/>\n1991    1 % Cit\u00e9 de la Musique, Marseille.<\/h4>\n<h4>Publications<br \/>\n2009    \u201cMedia Alert\u201d, in \u201cEtudes Photographiques N\u00b0 23 \u201d<br \/>\n2008    in \u201cL\u2019architecture d\u2019aujourd\u2019hui N\u00b0 373\u201d. Oscar Niemeyer \u00e0  San Paolo<br \/>\n2007    in \u201cLa Photographie en France 1970-2005\u201d Christian Gattinoni, ed CulturesFrance.<br \/>\n2005    \u201cFim de Romance\u201d, Ed Actes-Sud, 158 pages, textes: Marcelo Mattos Araujo,<br \/>\nCorinne Diserens, Moacir dos Anjos, Lisette Lagnado, Laymert Garcia Dos Anjos,<br \/>\nJean Baptiste Joly, Jean-Charles Massera.<br \/>\n\u201c Das Feld gegen\u00fcber\u201d, Ed Wissenschaftskolleg zu Berlin-Acad\u00e9mie Schlo\u00df Solitude,<br \/>\n76 pages, textes Sorin Antohi, Raymond Depardon, Christofer Edling,<br \/>\nin \u201cH\u00f6herweg 271\u201d, Atetier H\u00f6herweg und Richter Verlag, Dusseldorf, Kunststiftung NRW<br \/>\n2004    Olivier Menanteau, 1998-2003, Ateliers d\u2019artistes Ville de Marseille, 76 pages, texte: Thierry Ollat<br \/>\n2003    in \u201cNeue Freunde\u201d, with Nomeda und Gediminas<br \/>\nUrbonas, Elena Kovylina, Jean Baptiste Joly, Jean d\u2019Yvoire, Roger H\u00e4usslin<br \/>\n1998-01    \u201cPr\u00e8s des acacias\u201d, Ed Actes-Sud, 184 pages, texte: Philippe Forrest,<br \/>\n1997    Ilots, Ed mus\u00e9e des Beaux Arts de Cognac 64 pages, Coul.<br \/>\n1994    En un lieu bien ombrag\u00e9\u201d 52 pages, Ed Centre National d\u2019Art Contemporain Grenoble\/Fondation de France<br \/>\n1993    in \u201cPublic Private\u201d curator Alain Reinaudo, Ed Fotofeis Edimbourg, French Institut in Scotland<\/h4>\n<div class=\"pdf24Plugin-cp\"> \t<form name=\"pdf24Form0\" method=\"post\" target=\"pdf24PopWin\" action=\"https:\/\/doc2pdf.pdf24.org\/wordpress.php\"><input type=\"hidden\" name=\"blogCharset\" value=\"Cw1x07UAAA==\" \/><input type=\"hidden\" name=\"blogPosts\" value=\"MwQA\" \/><input type=\"hidden\" name=\"blogUrl\" value=\"yygpKbDS1y8vL9dLLCrRNdbLL0rXB7GS8\/NKUnML8osSM\/MA\" \/><input type=\"hidden\" name=\"blogName\" value=\"SywqMQYA\" \/><input type=\"hidden\" name=\"blogValueEncoding\" value=\"gzdeflate base64\" \/><input type=\"hidden\" name=\"postId_0\" 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\/><\/form> \t<div class=\"pdf24Plugin-cp-link\"> \t\t<a href=\"#\" onclick=\"var pdf24Win = window.open('about:blank', 'pdf24PopWin', 'resizable=yes,scrollbars=yes,width=600,height=250,left='+(screen.width\/2-300)+',top='+(screen.height\/3-125)+''); pdf24Win.focus(); document.pdf24Form0.submit(); if(typeof pdf24OnCreatePDF === 'function'){void(pdf24OnCreatePDF(this,pdf24Win));} return false;\">TELECHARGER L\\'ARTICLE AU FORMAT PDF<\/a> \t<\/div> <\/div>","protected":false},"excerpt":{"rendered":"<p>Tony Lain\u00e9 (1930 \u2013 1992) a \u00e9t\u00e9, \u00e0 partir de 1971, chef du service de psychiatrie infantile de l\u2019H\u00f4pital Barth\u00e9l\u00e9my Durand \u00e0 Estampes, mais ce sont surtout ses r\u00e9alisations de films diffus\u00e9s \u00e0 la t\u00e9l\u00e9vision (et les livres qu\u2019il en &hellip; <a href=\"http:\/\/www.art-3.org\/art-contemporain\/olivier-menanteau\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1476","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/1476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/comments?post=1476"}],"version-history":[{"count":4,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/1476\/revisions"}],"predecessor-version":[{"id":2295,"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/pages\/1476\/revisions\/2295"}],"wp:attachment":[{"href":"http:\/\/www.art-3.org\/art-contemporain\/wp-json\/wp\/v2\/media?parent=1476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}